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by Eugene O`neill
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From Library Journal
This play by Nobel laureate O'Neill centers around Anna, a young woman who, after an illness, decides to spend some time with the father she knows only from occasional letters. While with him, a coal barge captain, she meets Matt, a sailor who's ready to settle down, and the two fall in love. Believing herself unworthy of happiness, Anna reveals secrets from her past that test both her father's and Matt's love. In this expert production, scenes are painted through dialog and the unobtrusive use of sound effects. The actors reveal vivid and distinct characters, and the listener never has to wonder who's speaking. Highly recommended to libraries that serve students and those who love theater.
-Adrienne Furness, Lockport P.L., NY
Copyright 2000 Reed Business Information, Inc.
Eugene O'Neill's 1922 Pulitzer Prize-winning drama (his second of four Pulitzers) may seem with its slangy dialects, a shade unsubtle to readers today. But listeners of the L.A. Theatre Works probably won't notice, thanks to this excellent, nuanced production. Stacy Keach emphasizes the likable, vulnerable side of a Swedish coal-barge captain reunited after 15 years with his daughter. Keach prevents the father from descending into caricature. Alison Elliot also avoids the stereotype inherent in her part as his man-hating prostitute daughter, and Dwier Brown conveys both innocence and scorn as a young Irish seaman. Atmospheric sound effects are laid in subtly. A saloon-and-sea drama, this early O'Neill triumph has deservedly found a rich, new life. G.H. Winner of AUDIOFILE Earphones Award. © AudioFile 2000, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Eugene O\'Neill\'s 1922 Pulitzer Prize-winning drama, "Anna Christie," is the story of a young woman who following an illness decides to visit and spend some time with her father, a coal barge captain who she hardly knows. During this time she meets a sailor, Mat, who is looking to settle down, and the two fall in love. "Anna Christie" is a gripping drama of a woman torn between the expectations of two men, her father and her lover, and the shocking confession of her past life that this conflict evokes.
ANNA: Sure I do. Everything's been so different from anything I ever come across before. And now--this fog--Gee, I wouldn't have missed it for nothing. I never thought living on ships was so different from land. Gee, I'd yust love to work on it, honest I would, if I was a man. I don't wonder you always been a sailor.
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