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by Bram Stoker

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About Book

From School Library Journal
Grade 7 Up?A naive young Englishman travels to Transylvania to do business with a client, Count Dracula. After showing his true and terrifying colors, Dracula boards a ship for England in search of new, fresh blood. Unexplained disasters begin to occur in the streets of London before the mystery and the evil doer are finally put to rest. Told in a series of news reports from eyewitness observers to writers of personal diaries, this has a ring of believability that counterbalances nicely with Dracula's too-macabre-to-be-true exploits. An array of voices from talented actors makes for interesting variety. The generous use of sound effects, from train whistles to creaking doors, adds further atmosphere. Lovers of mysteries and horror will find rousing entertainment in this version of a classic tale.?Carol Katz, Harrison Public Library, NY
Copyright 1998 Reed Business Information, Inc.

From Library Journal
The Dover volume collects 14 of Stoker's lesser-known horror stories such as "The Crystal Cup," "The Burial of the Rats," and "A Gipsey Prophecy." Though most of his other fiction has been overshadowed by Dracula, these offer some real chills and warrant reading. While editions of Dracula, which celebrated its centennial in 1997, are legion, Broadview's offers several extras, including a chronology of Stoker's life and appendixes on Transylvania, London, Mental Physiology, Reviews and Interviews, and more. That along with the full text make this one of the best editions available, especially at this remarkable price.
Copyright 1998 Reed Business Information, Inc.

From AudioFile
The world's best-known vampire story comes to life in this expert performance by Robert Whitfield. No music, no special audio tricks detract from the chilling, gruesome tale of the un-dead. Whitfield's minimalist narration suits perfectly. His subtle shading of voice gives complete personality and motivation to each of the eight protagonists, with exaggerated accent reserved for the Dutch Dr. van Helsing, and, to a lesser extent, Count Dracula himself. His women come across as sweet, yet intelligent. With the same understated clarity, he brings full voice to the voluptuous vampiresses' seduction of their victims and to the malevolent machinations of the Count. For a classic performance of a classic work, this production must not be missed. R.P.L. An AudioFile Earphones Award winner. (c)AudioFile, Portland, Maine

David Glover, University of Southampton
"No other edition so carefully assembles a wealth of contextual material, nor succeeds so admirably..."

Carol A. Senf, Georgia Institute of Technology
"Glennis Byron has done a superb job of collecting just the right supplementary materials to accompany the novel..."

"Dracula is highly sensational....An immense amount of energy, a certain degree of imaginative faculty, and many ingenious and gruesome details are there. At times Mr. Stoker almost succeeds in creating the sense of possibility in impossibility."--Atheneum (June 26th, 1897)

"The audacity and horror of Dracula are Mr. Stoker's own. A summary of the book would shock and disgust; but we must own that, though here and there in the course of the tale we hurried over things with repulsion, we read nearly the whole with rapt attention."--Bookman (August, 1897)

"Mr. Bram Stoker gives us the impression of having deliberately laid himself out in Dracula to eclipse all previous efforts on the domain of the horrible....For all these, and a great many more thrilling details, we must refer our readers to the pages of Mr. Stoker's clever but cadaverous romance."--London Spectator (July 31st, 1897)

Book Description
Dracula is perhaps almost as interesting regarded historically as the product of a specific time as it is engaging to continuing generations of readers in a 'timeless' fashion. In her introduction Byron first discusses the famous novel as an expression not of universal fears and desires but of specifically late nineteenth-century concerns. At the same time she is entirely attuned to the ways in which, however much Dracula is a Victorian text, Dracula is a very twentieth-century character, a representative of modernity and of the future.

Download Description
A popular bestseller in Victorian England, Stoker's hypnotic tale of the bloodthirsty Count Dracula, whose nocturnal atrocities are symbolic of an evil ages old yet forever new, endures as the quintessential story of suspense and horror. The unbridled lusts and desires, the diabolical cravings that Stoker dramatized with such mythical force, render Dracula resonant and unsettling a century later.

Card catalog description
After discovering the double identity of the wealthy Transylvanian nobleman, Count Dracula, a small group of people vow to rid the world of the evil vampire.

From the Publisher
The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature.

Inside Flap Copy
One of the most popular stories ever told, Dracula (1897) has been re-created for the stage and screen hundreds of times in the last century. Yet it is essentially a Victorian saga, an awesome tale of thrillingly bloodthirsty vampire whose nocturnal atrocities reflect the dark underside of a supremely moralistic age. Above all, Dracula is a quintessential story of suspense and horror, boasting one of the most terrifying characters in literature: centuries-old Count Dracula, whose diabolical passions prey upon the innocent, the helpless, the beautiful. Bram Stoker, who was also the manager of the famous actor Sir Henry Irving, wrote seventeen novels. Dracula remains his most celebrated and enduring work -- even today this Gothic masterpiece has lost none of the spine-tingling impact that makes it a classic of the genre.

From the Back Cover
"Those who cannot find their own reflection in Bram Stoker's still-living creation are surely the undead."

About the Author
The mysterious Count Dracula brings death and terror to 18th century London.



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