In The Beginning Was The Command Line

In The Beginning Was The Command Line
by Neal Stephenson

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About Book

Amazon.com
Neal Stephenson, author of the sprawling and engaging Cryptonomicon, has written a manifesto that could be spoken by a character from that brilliant book. Primarily, In the Beginning ... Was the Command Line discusses the past and future of personal computer operating systems. "It is the fate of manufactured goods to slowly and gently depreciate as they get old," he writes, "but it is the fate of operating systems to become free." While others in the computer industry express similarly dogmatic statements, Stephenson charms the reader into his way of thinking, providing anecdotes and examples that turn the pages for you.

Stephenson is a techie, and he's writing for an audience of coders and hackers in Command Line. The idea for this essay began online, when a shortened version of it was posted on Slashdot.org. The book still holds some marks of an e-mail flame gone awry, and some tangents should have been edited to hone his formidable arguments. But unlike similar writers who also discuss technical topics, he doesn't write to exclude; readers who appreciate computing history (like Dealers of Lightning or Fire in the Valley) can easily step into this book.

Stephenson tackles many myths about industry giants in this volume, specifically Apple and Microsoft. By now, every newspaper reader has heard of Microsoft's overbearing business practices, but Stephenson cuts to the heart of new issues for the software giant with a finely sharpened steel blade. Apple fares only a little better as Stephenson (a former Mac user himself) highlights the early steps the company took to prepare for a monopoly within the computer market--and its surprise when this didn't materialize. Linux culture gets a thorough--but fair--skewering, and the strengths of BeOS are touted (although no operating system is nearly close enough to perfection in Stephenson's eyes).

As for the rest of us, who have gladly traded free will and an intellectual understanding of computers for a clutter-free, graphically pleasing interface, Stephenson has thoughts to offer as well. He fully understands the limits nonprogrammers feel in the face of technology (an example being the "blinking 12" problem when your VCR resets itself). Even so, within Command Line he convincingly encourages us as a society to examine the metaphors of technology--simplifications that aren't really much simpler--that we greedily accept. --Jennifer Buckendorff

From Publishers Weekly
After reading this galvanizing essay, first intended as a feature for Wired magazine but never published there, readers are unlikely to look at their laptops in quite the same mutely complacent way. Stephenson, author of the novel Cryptonomicon, delivers a spirited commentary on the aesthetics and cultural import of computer operating systems. It's less an archeology of early machines than a critique of what Stephenson feels is the inherent fuzziness of graphical user interfacesAthe readily intuitable "windows," "desktops" and "browsers" that we use to talk to our computers. Like Disney's distortion of complicated historical events, our operating systems, he argues, lull us into a reductive sense of reality. Instead of the visual metaphors handed to us by Apple and Microsoft, Stephenson advocates the purity of the command line interface, somewhat akin to the DOS prompt from which most people flee in a technophobic panic. Stephenson is an advocate of Linux, the hacker-friendly operating system distributed for free on the Internet, and of BeOS, a less-hyped paradigm for the bits-and-bytes future. Unlike a string of source code, this essay is user-friendlyAoccasionally to a fault. Stephenson's own set of extended metaphors can get a little hokey: Windows is a station wagon, while Macs are sleek Euro-sedans. And Unix is the Gilgamesh epic of the hacker subculture. Nonetheless, by pointing out how computers define who we are, Stephenson makes a strong case for elegance and intellectual freedom in computing. (Nov.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Available for free download online at an Avon-sponsored website, this extended essay on computer operating systems by high-tech novelist Stephenson (Cryptonomicon) generated such demand that the server actually crashed. The audience for this title, though, is potentially much broader. Stephenson's strength lies in making technical topics accessible; anyone who has used a mouse, typed a letter into a word processor, or developed an interest in the history of computers will be able to enjoy much of this book. He is weakest, however, in reining in his proseAthe ease of composing on a computer seems in his case to encourage logorrhea. The long-anticipated outcome of the government's case against Microsoft may increase interest in Stephenson's viewpoint that the inevitable tendency of computer operating systems is toward becoming both free and open. Buy where interest in technology issues is strong, although readers who pick up the book because of Stephenson's name may wish that a firmer hand had edited the material.ARachel Singer, Franklin Park P.L., IL
Copyright 1999 Reed Business Information, Inc.

Book Description

This is "the Word" -- one man's word, certainly -- about the art (and artifice) of the state of our computer-centric existence. And considering that the "one man" is Neal Stephenson, "the hacker Hemingway" (Newsweek) -- acclaimed novelist, pragmatist, seer, nerd-friendly philosopher, and nationally bestselling author of groundbreaking literary works (Snow Crash, Cryptonomicon, etc., etc.) -- the word is well worth hearing. Mostly well-reasoned examination and partial rant, Stephenson's In the Beginning... was the Command Line is a thoughtful, irreverent, hilarious treatise on the cyber-culture past and present; on operating system tyrannies and downloaded popular revolutions; on the Internet, Disney World, Big Bangs, not to mention the meaning of life itself.

About the Author

Neal Stephenson is the author of the bestselling Baroque Cycle (Quicksilver, The Confusion, and The System of the World) as well as the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.

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