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Twenty Years At Hull-house, With Autobiographical Notes

by Jane Addams


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About Book

Amazon.com
While on a trip to East London in 1883, witnessed a distressing scene late one night: masses of poor people were bidding on rotten vegetables that were unsalable anywhere else.

Their pale faces were dominated by that most unlovely of human expressions, the cunning and shrewdness of the bargain-hunter who starves if he cannot make a successful trade, and yet the final impression was not of ragged, tawdry clothing nor of pinched and sallow faces, but of myriads of hands, empty, pathetic, nerveless, and workworn, showing white in the uncertain light of the street, and clutching forward for food which was already unfit to eat.

This scene haunted Addams for the next two years as she traveled through Europe, and she hoped to find a way to ease such suffering. Five years later, she visited Toynbee Hall, a London settlement house, and resolved to replicate the experiment in the U.S. On September 18, 1889, Jane Addams and her friend Ellen Starr moved into the second floor of a rundown mansion in Chicago's West Side. From the outset, they imagined Hull-House as a "center for a higher civic and social life" in the industrial districts of the city. Addams, Starr, and several like-minded individuals lived and worked among the poor, establishing (among other things) art classes, discussion groups, cooperatives, a kindergarten, a coffee house, a lending library, and a gymnasium. In a time when many well-to-do Americans were beginning to feel threatened by immigrants, Hull-House embraced them, showed them the true meaning of democracy, and served as a center for philanthropic efforts throughout Chicago.

Hull-House also provided an outlet for the energies of the first generation of female college graduates, who were educated for work yet prevented from doing it. In some respects, however, Addams's impressive work, often hailed by historians as "revolutionary," was nothing of the sort. She embraced the sexual stereotypes of her day, and, though she was clearly an independent woman, soothed public fears by acting primarily in the traditional roles of nurturer and caregiver. Hull-House was a rousing success, and it inspired others to follow in Addams's footsteps.

Though Twenty Years at Hull-House is meant to be an autobiography, it is Hull-House itself that stands in the spotlight. Addams devotes the first third of the book to her upbringing and influences, but the remainder focuses on the organization she built--and the benefits accruing to those who work with the poor as well as to the poor themselves. At times Addams's prose is difficult to follow, but her ideals and her actions are truly inspiring. A classic work of history--and a model for today's would-be philanthropists. --Sunny Delaney

The Los Angeles Times Sunday Book Review, Gioia Diliberto
At heart, Twenty Years is deeply optimistic: a book about hope and courage, about the yearning for equality and the yearning for peace. To a remarkable extent, Jane Addams' dreams were the same as our own.

Book Description
I suppose all the children who were born about the time of the Civil War have recollections quite unlike those of the children who are living now. Although I was but four and a half years old when Lincoln died, I distinctly remember the day when I found on our two white gateposts American flags companioned with black.

Download Description
I suppose all the children who were born about the time of the Civil War have recollections quite unlike those of the children who are living now. Although I was but four and a half years old when Lincoln died, I distinctly remember the day when I found on our two white gateposts American flags companioned with black.

Card catalog description
Jane Addams's narrative of life in an immigrant urban neighborhood provides students with an introduction to the issues of the Progressive era and the tenets of social activism. This new teaching edition reduces Addams's original text by about 35 percent, trimming illustrative detail to focus on the ideological underpinnings of the original work. The author sketches a brief biographical portrait of Addams, outlines the decisions and convictions that led her to found Hull-House, and includes a vivid picture of turn-of-the-century Chicago. Related documents include a description of life at Hull-House from the perspective of an immigrant who frequented it, an early review of Hull-House, and perspectives from other reformers.

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